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Title: | The Making of a Savior Bodhisattva_ Dizang in Medieval China |
Authors: | Zhiru |
Keywords: | Kinh điển và triết học phật giáo Phật giáo nhập thế và các vấn đề xã hội đương đại |
Issue Date: | 2007 |
Publisher: | A Kuroda Institute Book University of Hawai‘i Press Honolulu |
Abstract: | Figures; Acknowledgments; Abbreviations;Introduction: Problems and Perspectives; PART 1: Early Images: The Bodhisattva of This Defiled World; Early Scriptural Representations: Texts and Contexts; The Scripture on the Ten Wheels ;The Section on the Sumeru Treasury; The Intellectual and Socio-Political Climate; Cultic Beginnings Reconsidered; Buddhist Records of Dizang Worship; The Sanjie Jiao Connection; The Work of the Translator and Exegete Sinbang; Icons of Dizang and the Six Paths in Shaanxi Art ; Rethinking the Early Dissemination of Dizang Worship; PART 2: Multiple Images: This World, Hell, and Pure Land; Indigenous and Accretionary Scriptures; The Scripture on Divination: From Karmic Divination to Philosophical Meditation; The Exorcism Method: A Buddho-Daoist Formula for Demonology; A Ritual Manual on the Bodhisattva Dizang: Dizang in Esoteric Rites; The Scripture on the Bodhisattva Dizang: From Hell to Pure Land; The Scripture on the Past Vows: A Canonization of Filial Piety and Afterlife Practices ; New Scriptures, New Images of Dizang; Art and Epigraphy; A Princely Householder or Monk Bodhisattva; Dizang and Guanyin as Saviors of This World; From Amitâbha Triads to Rebirth in the Pure Land; Glimpses of a Bhaiºajyaguru Connection; A Ray of Light in the Ten Kings’ Dark Courts; Guiding the Way in the Afterlife: The Bodhisattva Yinlu; Images of Dizang in Esoteric Buddhist Practices; Forgotten Images in Religious Artifacts ;Narative Literature; The Earliest Dizang Miracle Tale; Non-Buddhist Records ; A Buddhist Compilation of Dizang Miracle Tales; The Canonization of a Buddhist Cult; Conclusion: Reassessing Dizang, Lord of the Underworld ; Afterlife Practices in China; Female Practice of Filial Piety; Ritual Divination, Exorcism, and Healing; The Daoist Savior of Hells; The Cult of Mount Jiuhua ; Rethinking Tang Buddhism ; Appendix 1: The Scripture on the Ten Wheels: Reevaluating the Traditional Dating; Appendix 2: Antecedents of Dizang? Kºitigarbha in India and Central Asia ; Appendix 3: Translations of Scriptures; The Exorcism Method of Dizang’s Aspiration Toward Great Awakening ; A Ritual Manual on the Bodhisattva Dizang ; Scripture on the Bodhisattva Dizang ; Works Cited; Index; |
Description: | In modern Chinese Buddhism, Dizang is especially popular as the sovereign of the underworld. Often represented as a monk wearing a royal crown, Dizang helps the deceased faithful navigate the complex underworld bureaucracy, avert the punitive terrors of hell, and arrive at the happy realm of rebirth. The author is concerned with the formative period of this important Buddhist deity, before his underworldly aspect eclipses his connections to other religious expressions and at a time when the art, mythology, practices, and texts of his cult were still replete with possibilities. She begins by problematizing the reigning model of Dizang, one that proposes an evolution of gradual sinicization and increasing vulgarization of a relatively unknown Indian bodhisattva, Ksitigarbha, into a Chinese deity of the underworld. Such a model, the author argues, obscures the many-faceted personality and iconography of Dizang. Rejecting it, she deploys a broad array of materials (art, epigraphy, ritual texts, scripture, and narrative literature) to recomplexify Dizang and restore (as much as possible from the fragmented historical sources) what this figure meant to Chinese Buddhists from the sixth to tenth centuries. Rather than privilege any one genre of evidence, the author treats both material artifacts and literary works, canonical and noncanonical sources. Adopting an archaeological approach, she excavates motifs from and finds resonances across disparate genres to paint a vibrant, detailed picture of the medieval Dizang cult. Through her analysis, the cult, far from being an isolated phenomenon, is revealed as integrally woven into the entire fabric of Chinese Buddhism, functioning as a kaleidoscopic lens encompassing a multivalent religio-cultural assimilation that resists the usual bifurcation of doctrine and practice or "elite" and "popular" religion. The Making of a Savior Bodhisattva presents a fascinating wealth of material on the personality, iconography, and lore associated with the medieval Dizang. It elucidates the complex cultural, religious, and social forces shaping the florescence of this savior cult in Tang China while simultaneously addressing several broader theoretical issues that have preoccupied the field. Zhiru not only questions the use of sinicization as a lens through which to view Chinese Buddhist history, she also brings both canonical and noncanonical literature into dialogue with a body of archaeological remains that has been ignored in the study of East Asian Buddhism. |
URI: | http://tnt.ussh.edu.vn:8080/xmlui/handle/123456789/485 |
ISBN: | 978-0-8248-3045-8 |
Appears in Collections: | CSDL thư mục |
File | Description | Size | Format | |
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Zhiru (2007) The Making of a Savior Bodhisattva_ Dizang in Medieval China.pdf | 4.44 MB | Adobe PDF | View/Open |
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